![]() tif files is that Illustrator ignores the white background so they can be used with transparency. We then place our selected images onto the artboard by going to File > Place (CMD + SHIFT +P). We start by locating the Essentials Collection textures on our hard drive, select a few of our favorites and tag them for easy reference. Now that the basic layers and colors are laid out, it's time to add pizzaz with textures. Notice how the colors are all automatically multiplied when pasted into their respective layers? Separating our colors like this is really helpful if we decide to screen print the finished artwork. We then select and copy all the artwork from each artboard and Paste in Place (Ctrl+Shift+V) to drop the art into its own layer on the same artboard (see video below).This will automatically apply the multiply blend to all the elements in this layer. In the Layers Panel, click the small outline circle to the right of each layer, then in the Transparency Panel (Window > Transparency) set the blend mode to Multiply. Next we'll set up our Multiply layer style.I like to label each one with the color name CYAN, YELLOW, MAGENTA) just too keep things organized. Create a layer for each of the corresponding colors in the design.Now it's time to separate out elements of the same color into their own layers. Once all of our shapes are colored in, we remove the outline.Then, referring back to our rough sketch from Procreate as a guide, we fill in all the same color shapes on each artboard so that some colors will overlap.To begin, we duplicate the artboard containing our outlined shapes three times – one for each of the colors we will be using (blue/pink/yellow).The blue/pink/yellow palette we used in the original sketch multiplies well and looks great so we're sticking with that. Once we have our b+w forms all drawn out we start coloring our shapes. We use a combination of the Pathfinder (Window > Pathfinder) and the Shape Builder tool (Shift+M) to merge and combine basic shapes into more elaborate forms. We bring our rough into Illustrator and start building out outline shapes and forms with the shape tools and pen tool. Now that's we've got a good idea of how things will look, we’re ready to get vectorized in Illustrator! You can see above how the multiply blend combines the the blue, pink and yellow layers to create new colors where they overlap. To do this, we add 3 new layers in Procreate, each with the layer blend mode set to multiply, then paint in the areas using blue/pink/yellow. We clean up the layout and use some horizontal and vertical lines to indicate where we might have some textures once we bring it to illustrator.Īt this stage we also like to do some rough color blocking to get a sense of how we might extend our color palette by simulating overprint. We’re liking that top right one, so we create a color rough in Procreate (see below). We made a couple of thumbnails of the initial design – a collection of vases and urn-like shapes arranged like a museum display. We'll be using some illustrator tools that are more complicated than the basics, but if you have spent some time in illustrator and can draw shapes, use masks, and have some experience with shape builder, you should be good.Īlthough most of our work is done on the computer, we almost always start with sketches on paper. We'll show you how we build out our vector shapes, separate colors, create overprint effects and import a variety of bitmap textures while keeping our file sizes low and our enthusiasm high. With that in mind, we're going to show you how to use True Grit's Essentials Collection textures in Adobe Illustrator to bring added depth, and a gritty, hand printed feel to your work. ![]() We also love the interplay between sharp, clean vector shapes and the texture and tactility of hand printed work. Hello, Richard & Jen here from Skinny Ships! We’re a creative duo from Portland, Oregon. We love to create bold, illustrative design with vibrant colors and interesting forms. ![]()
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